+ Näita rohkem
-
70x200, 100% cotton
-
70x200, 100% cotton
-
Mõõdud 70 x 200 cm 100% puuvill, hall Lääne-Eesti saartre sall Varrastel kootud kampsuneid ehk vatte (teisisõnu ka villsärke, soesärke) hakati Muhus kuduma 19. sajandi teisel poolel. Vatid olid nii eest nööbitavad kui ülepea käivad, nii lihtsama kui kaunima moega. Enamasti olid need tumedavärvilised, aga leidus ka valgeid. Kirjatud vatte valmistati hilisematel aegadel ning enim armastatud mustriks oli männamuster. Ka Ellu sallid on kudunud oma Muhu sallidesse männamustri, mille ajalugu olevat saanud alguse Tamse valla kandi oranži -musta värvilistest meestevattidest, mis on populaarsed tänini. Lisaks tuntud männamustritele iseloomustab vatte aukartustäratav mustritihedus. Neid meesteriideid kooti väga korralikult ja hoolega. Kõige uhkemad vatid kooti suure armastuse ajel - pruutidel oli kombeks valmistada antud rõivaeset oma peigmeestele, pulmadeks. Imetlust pälvib ka detailiderikkus. Meie esiemades vallandusid tõelised moedisaineri oskused. Vatte ilmestasid huvitavaid detailid küll kaelustel, taskuklappidel ja varrukasuudel. Üks väga nutikaks peensus asub vati seljaosas millel on lausa oma nimi – vati nipp. Antud nimetus tuleneb maainimese argipäevast, kanal on teatavasti just taolise kolmnurkse kujuga taguosa – kana nipp. Selline raskust andev lisadetail, nn nipp, kooti vati seljatüki alaserva, aidates rõival kummardumisel vöö vahel püsida ja selja soojas hoida. Kõik mainitud lood kinnitavad Muhu saare käsitöö rikkusest, mida peetakse Eesti rahvakunstis üheks kirkamaks ja mustriküllasemaks. Hoidkem meie mustreid, kandkem meie mustreid. Õlakatete kandmise traditsioon ulatub kaugesse minevikku. Üleviskerätt ehk sõba peeti rahvariiete hinnatuimaks osaks, mis kuulus põhiliselt piduriiete juurde. Sõbaga käidi külmadel ilmadel kirikus ja külas, soojemal ajal lisas riietusele, väärikas sõba käsivarrel, pidulikkust. Sõba tegemine nõudis teiste riietega võrreldes märksa rohkem vilumust. Seetõttu hoiti neid väga ja pärandati põlvest-põlve edasi, samuti nagu sõbakudumise oskusedki.
-
-
-
Dimensions 70 x 180 cm 70% cotton, 30% flax Hiiumaa scarf is inspired by Pühalepa folk costumes. Pühalepa is an amazing place that also inspired the creator of the scarf, Magnus Lõppe from Hiiumaa. Shades of the shawl are taken from the oldest overall coat in Hiiumaa – long coat, sewn from sheep-brown woollen fabric. Long coat (“jäku” in Estonian) was very much loved in Hiiumaa. It was worn by both men and women.
-
Dimensions 105 x 180 cm 70% cotton, 30% flax Hiiumaa scarf is inspired by Pühalepa folk costumes. Pühalepa is an amazing place that also inspired the creator of the scarf, Magnus Lõppe from Hiiumaa. Shades of the shawl are taken from the oldest overall coat in Hiiumaa – long coat, sewn from sheep-brown woollen fabric. Long coat (“jäku” in Estonian) was very much loved in Hiiumaa. It was worn by both men and women.
-
Dimensions 70 x 180 cm 100% cotton In North Estonia, flower pattern was dominant in the first half of the 19th century.It seems strange how colourful, manifold and rich is the art of embroidery in the small territory of Estonia. A good example is the Jõelähtme sleeve pattern used on North Estonian scarf - its pattern is peculiar and diverse.Wrap was being worn lengthways on one’s back; the corners were secured on the breast with a brooch or yarn. The tradition of wearing wraps remained until the beginning of the 19th century.
-
Dimensions 140 x 200 cm 100% cotton In North Estonia, flower pattern was dominant in the first half of the 19th century.It seems strange how colourful, manifold and rich is the art of embroidery in the small territory of Estonia. A good example is the Jõelähtme sleeve pattern used on North Estonian scarf - its pattern is peculiar and diverse.Wrap was being worn lengthways on one’s back; the corners were secured on the breast with a brooch or yarn. The tradition of wearing wraps remained until the beginning of the 19th century.
-
Dimensions 66 x 180 cm 70% cotton, 30% flax In South Estonia, festive woollen rectangle wrap, worn across one’s shoulders, was the most respectable garment. In Põltsamaa, even on the 19th century oblong woollen shawls were worn. White shawl was decorated by using archaic techniques and patterns that had a deep meaning. South Estonian scarf is inspired by the shoulder piece of the Põltsamaa shirt where the pattern has been built up to form an ornament of diagonal cross and a quadrangle. That, in fact, is one of the oldest principles of composition. One of the characteristics of South Estonian handicraft is geometrical embroidery common in the late 18th century. White linen yarn was often used for that. Wrap had a specific role in the Jõgeva County wedding customs. When the bride was brought into the home of the bridegroom, her mother-in-law tied the wrap around the bride's head, covering the eyes as well.
-
Dimensions 70 x 200 cm 100% cotton
-
